pic.nypl.orgPIC - Photographers’ Identities Catalog

W The New York Public Library / Photographers’ Identities Catalog Photographers’ Identities Catalog Photographers’ Identities Catalog (PIC) is an experimental interface to a collection of biographical data describing photographers, studios, manufacturers, and others involved in the production of photographic images. Consisting of names, nationalities, dates, locations and more, PIC is a vast and growing resource for the historian, student, genealogist, or any lover of photography’s history. The information has been culled from trusted biographical dictionaries, catalogs and databases, and from extensive original research by NYPL Photography Collection staff. Enter PIC Learn more about PIC below. Samples FAQ Background Sample Searches Learn about a topic of interest Want to read about 19th century female photographers in England? Select Female from the Gender options, England from the Address Country options, and set the end date to 1900. You could also select Wikipedia from the Sources, and within each entry, you’ll find a link directly to the article. In fact, many of the Sources have great biographies, so check them out! Try it! Find photographs by a particular photographer Trying to locate work by James Presley Ball Sr.? Search his name in the search bar, then click his name to learn what collections we know that have his photographs. Click List Locations and you’ll see the zig-zagging arc of his career; try contacting museums or libraries in these places, and you may find more work by him. Try it! Identify and date your photographs Have old family photographs you’re trying to date? Many studio portraits print the photographer’s name and address on the photo. Often, PIC has the dates a studio occupied a specific address. For instance, William Watson Washburn operated a studio at 26 Camp Street, New Orleans from 1849-1853. After that he moved to 120 Canal Street. Try it! Have fun & explore! PIC has information on more than 110,000 photographers and studios, and it’s growing daily. So spin the globe & have a look around. You might find world traveling photographers like Chester Burger and Kay Simmon Blumberg, photographers at the North or South Pole, or even in outer space! Try it! Samples FAQ Background Frequently Asked Questions I’m a photographer. Can I be listed in PIC? Given the ubiquity of cameras in the digital age, it’s simply not possible for us to maintain biographies for all contemporary photographers. To maintain PIC as a useful research and discovery tool, we include photographers in the collections of public institutions, or who are otherwise newsworthy. If your work is in a museum somewhere, ask them to contact us with their list of photographers. We also include many contemporary photographers with biographies in Wikipedia and WikiData, which maintain their own standards of notability. We regularly update PIC with new entries found there. I have a collection of photographs. Will PIC link to it? PIC does not track private collections or the stables of commercial galleries. If you are a museum, library, historical society, or other archive which is open to the public, we’d love to learn more about your photograph collection. Contact us at pic@nypl.org! Why do some of my results not match my query? PIC uses fuzzy search” to give you results, so if you search for Mary” you’ll also get Marc”. We understand, that can be a bit annoying. But if the search was too literal, you wouldn’t find Michèle” when you searched Michele”. We think having too many results is the better problem to have. It looks like there are fewer than 116,000 names in PIC. Why is that? We "refresh" the data frequently, so you’ll always see our most recent, corrected information. That process takes about 7 to 9 minutes (it’s a bunch of data!). If you happen to search PIC while this is happening, you may see a lower number of constituents. Refreshin either photo history or archive management. I rather stumbled my way into my position at NYPL, and immediately began a thorough survey of the collection, to note the locations of our cataloged material, and to make some record of our backlog of uncataloged photographs. This project allowed me to begin rearranging our physical collection- to store all of a photographer’s work together, arranged alphabetically. So from day one, photographers’ identities have been central to my work at NYPL. At that time the George Eastman House (now the Eastman Museum ) hosted a database of biographical data on some 90,000 photographers. It was a DOS interface, but the wealth of good information it contained was absolutely invaluable to my cataloging work. Its original editors had left the museum, no one was maintaining it, and it became increasingly unstable- sometimes offline for days or weeks at a time. Fearful of permanently losing it, I set out to make my own copy of it. I found that if I searched *” it would give me the entire list of 90,000 entries- 20 names on the screen at a time. Naturally, I copied and pasted them all into a spreadsheet (twice, actually, to ensure I’d not made a mistake). Because this gave me only the names, nationalities and dates of the photographers, I manually checked those that seemed to be duplicate entries or names whose data was too scant to be of use. After this initial cleaning, my list was reduced to about 65,000 good” names. In 2010, the GEH database crashed one final time. I found that if I searched *” it would give me the entire list of 90,000 entries- 20 names on the screen at a time. PIC started as an Excel spreadsheet. The colors represent the provenance of the cell information (e.g.: purple for NYPL). Believing that I alone had all of this information, I continued the work of collecting and enriching my photographer data, checking it against other big lists and biographical dictionaries, adding missing names or dates, upgrading initials to full names, adding genders, addresses and any other useful information I could find. Assuming I wasn’t the only researcher who would benefit from this work, I hoped to get my list online in some form that could help fill the void left by the GEH database. (As it turned out, the original editors of that database, Andrew Eskind and Greg Drake, had a full copy, and it is again online at photographydatabase.org ). I migrated my sprawling spreadsheet into the Photography Collection’s cataloging database, where it has continued to expand and deepen (as of March 2016, there are over 115,000 photographers in PIC). Some of the data in the catalog comes from directories like these 1940s directories of the Photographers’ Association of America While I have spent countless hours collecting, cleaning and researching the information found here, I am deeply indebted to, and grateful for, the excellent work of all the researchers whose databases, websites and books are credited and indexed here. Thanks also to Stephen Pinson, Elizabeth Cronin and all of my colleagues in the Photography Collection, and Mauricio Giraldo and Ben Vershbow of the NYPL Labs team who have supported and encouraged the creation of the Photographers’ Identities Catalog. • Privacy Policy • Rules and Regulations • • Terms and Conditions • A project of NYPL Labs and the The Miriam and Ira D. Wallach Division of Art, Prints and Photographs . The New York Public Library © The New York Public Library, Astor, Lennox, and Tilden Foundation...